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The quality of the interface is also a key point because you want to get the best quality recordings of each instrument into your computer. But with computer power as it is and with interfaces capable of recording many instruments simultaneously, there’s no reason why you can’t record a band’s entire live performance, each track recorded individually but at the same time, with one computer and a suitable interface. Generally when you record a band in your studio you record one track at a time (your guitarist playing over the already-recorded drum part, for example). There are many great apps available for your mobile devices and tablets, check out our list It is required because most computers simply don’t have the right connections for you to go plugging a band or instruments into, so your interface might allow your drummer, guitarist, bass player and vocalist to plug directly into your computer and play and record into the tracks of your sequencer. This interface is a key part of music technology. This could simply be a matter of pointing an iPad mic at a guitarist and pressing record (not the best quality) or recording individual members of a band simultaneously using an ‘audio interface’. When we talk about ‘recording’ these days what we generally mean is the process of getting external sounds – vocals and instruments – into a computer. In theory, that’s all you need to know to go and produce music but there’s more if you want it, so let’s delve a little deeper and look at each method a little more closely… You can now create songs using external sounds, virtual instruments and samples or, more likely, a combination of all three. So, three different ways of getting sounds together for song creation.
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You can buy collections of these (on CD, DVD or download – or get them free with MusicTech each month!) and simply drop them on different tracks to build up a tune. Again these are audio, so digital recordings of real sound but they are especially-created riffs, melodies, drum patterns (loops), or vocal parts produced by third party manufacturers. The second type of internal sound is called a sample. These notes can be moved around and edited after being recorded simply by using the sequencer’s editor, clicking on them and dragging them around on screen. Again you don’t need to worry too much about semantics here but the data within a MIDI track is more about the note information (which notes are played, how hard and for how long). Most sequencers have what are called ‘virtual instruments’ that recreate, for example, drum kits, keyboards or guitars for you to play or strum with your mouse or a connected keyboard. Now to the internal sounds, sounds generated within your DAW.
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Three of the Big Six: Cubase, Reason and Pro Tools
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This software enables the recording, mixing and mastering of music tracks and is called a ‘sequencer’ or the rather grander-sounding ‘Digital Audio Workstation’ ( DAW). Sequencers/DAW ‘s More specifically, of course, it’s the software that the computer runs that turns it in to a music production powerhouse.
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The device that enables all of this – and which has become the heart of the 21st century studio – is the humble computer: a Mac, PC or increasingly, portable devices like tablets and iPads.
These are the ‘tracks’ and the core of the music production process is simply how you get the sounds together for each track, arrange them, mix them together and make them sound ‘professional’. the instruments (guitar, drums, bass, keyboards and so on) and the vocals. So Where Do We Start? The basics of a composition or song are its constituent parts i.e.
Read the following and you should be in a good place to start (or restart) your music making, whether as a hobby, semi-professionally or even as a career.
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